The sense of mental resurrection crosses our musical longitude and latitude given this magical masterpiece; hence we should rest and be assured that our House Music is safe with legendary connoisseurs that set an excellent example of an epic ear ensemble, when played and performed proudly, professionally and perfectly!!!
Having gotten a perfect score on his exam at Merit the Carl Fischer Music Academy, Peven was awarded a full Scholarship to The Berkley school of Music at the age of seventeen. He played his first professional gig at Carnegie Hall and subsequently moved to New York to join Betty Carter performing and acting as her music director over seeing other musicians his senior. New York also gave Peven the opportunity to play with Wynton Marsalis appearing in his documentary Marsalis on Music as well as featured in the book by the same name. He toured with Buclshot Lefonque Brandford Marsalis’s band. It was at this time that Peven was featured in the NEW YORK TIMES magazine in an article entitled “The Next Miles Davis May Be On This Page”
written by Stephen J. Dubner.
He was Born in Harvey, Il. outside of Chicago to a musical family.He was a toddler when he began playing objects as instruments and shortly there after acquired a drum kit from his mother.
In grammar School he began playing music in the band under the direction of Sherman, John Weber,and David Eanes. He helped his band earn titles maintaining first chair in multiple instruments. He also Student taught to pupils in grade levels his senior and played with the likes of Dizzy Gillespie and Betty Carter.
Osunlade was born and raised in St. Louis, Missouri. He composed music for Sesame Street during the late 1980s and early 1990s. Afterward, he moved to Los Angeles, California, where he worked with artists such as Patti Labelle and Freddie Jackson. After a stint there, he moved to New York, where he founded Yoruba Records. To date he has worked with such artists as Roy Ayers, Nkemdi, Salif Keita, and Cesária Évora. In 2006, he released an album titled Aquarian Moon, in 2007, he released an album titled Elements Beyond on the revived Strictly Rhythm Records, and, in 2009, he released the album Passage. He is a priest of the Yoruba religion of Ifá. Because of his beliefs, Osunlade’s music has a deep spiritual root in Yoruba traditions that are also reflected in the name of his record label, album covers, and also the titles of some of the tracks he has remixed such as “Obatala y Oduduwa” and “Yemeya.”
